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dc.contributor.authorBokody, Péter
dc.date.accessioned2018-05-08T13:03:02Z
dc.date.issued2017-09
dc.identifier.issn0737-4453
dc.identifier.issn2328-207X
dc.identifier.urihttp://hdl.handle.net/10026.1/11411
dc.description.abstract

By the fourteenth century, the Guelf-Ghibelline controversy was an established political issue in Italy. The opposition between the pope and the emperor was often used to raise the stakes of conflicts between cities and city-factions, and this antagonism was communicated through detailed visual symbolism. The chroniclers described these struggles and their devastating consequences. Giovanni Villani, in his Nuova Cronica, not only recounted the myths around the foundation of Florence, but he also created an elaborate narrative of its recent history.

dc.format.extent5-14
dc.languageen
dc.language.isoen
dc.publisherUniversity of Chicago Press
dc.titleFlorentine Women and Vendetta: The Origin of Guelf-Ghibelline Conflict in Giovanni Villani’s Nuova Cronica
dc.typejournal-article
dc.typeArticle
plymouth.issue1
plymouth.volume37
plymouth.publication-statusPublished
plymouth.journalSource: Notes in the History of Art
dc.identifier.doi10.1086/695751
plymouth.organisational-group/Plymouth
plymouth.organisational-group/Plymouth/Faculty of Arts, Humanities and Business
plymouth.organisational-group/Plymouth/REF 2021 Researchers by UoA
plymouth.organisational-group/Plymouth/REF 2021 Researchers by UoA/UoA32 Art and Design: History, Practice and Theory
plymouth.organisational-group/Plymouth/Users by role
plymouth.organisational-group/Plymouth/Users by role/Academics
dcterms.dateAccepted2017-07-26
dc.rights.embargodate2018-9-1
dc.identifier.eissn2328-207X
dc.rights.embargoperiod12 months
rioxxterms.versionofrecord10.1086/695751
rioxxterms.licenseref.urihttp://www.rioxx.net/licenses/under-embargo-all-rights-reserved
rioxxterms.licenseref.startdate2017-09
rioxxterms.typeJournal Article/Review


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