For Dust Tho Art
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This essay will explore the use of atomic force microscopy for uncovering lost tales and histories through subtle audience interaction. Its focus is a portfolio of data-driven work and ‘nanoart’ developed by the author and collaborators. The works described below include: A Mote it is…, ˈspɛktə/spectre, and Exposure. These projects explore the ubiquity of data streamed from an instrumentalized world and its totality potentialed as material for manifesting things that lie outside of normal frames of reference—things so far away, so close, so massive, so small, and so ad-infinitum.
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