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dc.contributor.authorWilliams, D
dc.contributor.authorMiranda, Eduardo
dc.contributor.editorNam CS
dc.contributor.editorNijholt A
dc.contributor.editorLotte F
dc.date.accessioned2018-03-06T11:29:03Z
dc.date.available2018-03-06T11:29:03Z
dc.date.issued2018-01-24
dc.identifier.isbn9781498773430
dc.identifier.other10
dc.identifier.urihttp://hdl.handle.net/10026.1/10978
dc.description.abstract

Brain–computer music interfacing (BCMI) is a growing field with a history of experimental applications derived from the cutting edge of BCI research as adapted to music making and performance. BCMI offers some unique possibilities over traditional music making, including applications for emotional music selection and emotionally driven music creation for individuals as communicative aids (either in cases where users might have physical or mental disabilities that otherwise preclude them from taking part in music making or in music therapy cases where emotional communication between a therapist and a patient by means of traditional music making might otherwise be impossible). This chapter presents an overview of BCMI and its uses in such contexts, including existing techniques as they are adapted to musical control, from P300 and SSVEP (steady-state visually evoked potential) in EEG (electroencephalogram) to asymmetry, hybrid systems, and joint fMRI (functional magnetic resonance imaging) studies correlating affective induction (by means of music) with neurophysiological cues. Some suggestions for further work are also volunteered, including the development of collaborative platforms for music performance by means of BCMI.

dc.format.extent193-206
dc.language.isoen
dc.publisherCRC Press
dc.relation.ispartofBrain–Computer Interfaces Handbook: Technological and Theoretical Advances
dc.subjectBrain-Computer Interface
dc.subjectBrain-Computer Music Interface
dc.titleBCI for Music Making: Then, Now, and Next
dc.typechapter
plymouth.publisher-urlhttps://www.crcpress.com/BrainComputer-Interfaces-Handbook-Technological-and-Theoretical-Advances/Nam-Nijholt-Lotte/p/book/9781498773430
plymouth.publication-statusPublished
dc.identifier.doi10.1201/9781351231954-10
plymouth.organisational-group/Plymouth
plymouth.organisational-group/Plymouth/Faculty of Arts, Humanities and Business
plymouth.organisational-group/Plymouth/REF 2021 Researchers by UoA
plymouth.organisational-group/Plymouth/REF 2021 Researchers by UoA/UoA33 Music, Drama, Dance, Performing Arts, Film and Screen Studies
plymouth.organisational-group/Plymouth/Users by role
plymouth.organisational-group/Plymouth/Users by role/Academics
plymouth.organisational-group/Plymouth/Users by role/Researchers in ResearchFish submission
dc.publisher.placeFlorence, KY
dc.rights.embargoperiodNot known
rioxxterms.versionofrecord10.1201/9781351231954-10
rioxxterms.licenseref.urihttp://www.rioxx.net/licenses/all-rights-reserved
rioxxterms.typeBook chapter


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